In my compositions, I deliberately make political statements in order to draw attention to issues that are close to my heart. I experiment with processual structures that create space for development and reflection. Slowness and immersive elements often play a central role and work through their hypnotic power to immerse the listener deeper into the musical statement.

In my work as a producer, I like to develop a sound that combines different genres such as minimalism, industrial, free jazz and electronics. My aim is to use an avant-garde approach to create a world of sound that not only transcends boundaries but also remains alive in the process of creation. My band project The Moon Is No Door, for example, was developed over several years until I found the perfect line-up to record this vision in 2022. I enjoy using improvisational elements and spectral sounds to create a new, vibrant dimension in my productions.

In my music, I combine influences from 80s pop, electronic, avant-garde, chamber music and psychedelia – this is how I create my own, cross-genre style. My aim is to make my songs sound authentic and spherical. The use of my voice plays a central role in this, often supported by hypnotic and surprising twists that release deeper emotions and give my music a timeless, multi-layered dimension.